Rainy morning

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The choice was to give a morning atmosphere to this collective housing project.
A special work has been done on asphalt textures where the creation of puddle has played an important role in the atmosphere of the image.
A blend has been used but focusing on the transition wet and dry ground.
To represent the morning, the lights turn on and the people are preparing to go to work. A work on urban traffic was done with the use of a motion blur.
For the tram, the characters within are entirely in 3d, indispensable condition for the light inside and the motion blur worked well !
(all the people are full cgi)
The urban elements are faithful to those present in reality, distributed by Railclone. Grass and trees scattered with forest pack.

Her

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The brief was to express elegance and a sense of grandeur.

The early evening invokes the potential of the night ahead, and coupled with the model’s glamourous attire, this creates a sense of anticipation. She looks down at the city below from the high window, contemplating her night at the most important event of the year. The champagne and pomegranate on the table in the foreground speak of a sophisticated and refined palette.

Imbuing an image with a simple narrative in this way can really help to enhance what is a fairly simple scene. We can try to question the spaces we are dressing and the motives of the people who will come to inhabit them. Who will live here? What are their aspirations? What is their story, and how can we best tell it through the images we craft?

Beautiful Computer Generated Images IV. – Reflections

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Beautiful Computer Generated Images is a collection of Seven projects, collection of seven Manifests, where every piece is an intersection of Technology and Art. It depicts imaginary places, imaginary objects where every element is arranged to create beautiful Composition and where photorealistic simulations are enriched and elevated by Custom color mapping to craft a piece formed by true Art.

Manifests show what I consider truly beautiful, what I am passionate about and what I love. Passion in Computer Generated Image, passion in Composition, beauty in Simplicity, Light, custom Colors, passion in bending image within a Purpose, in adjusting piece with an Abstract elements, all elevated by Custom Color Mapping to form something Unseen, something New and very Artistic.

Manifests have been developed for 8 months, working solely on the manifests, between 2016 and 2017 and are periodically released every three weeks. After all seven have been released, there is going to be a book stitching all the pieces together.

Everything is custom made – from scratch – models, materials.
I welcome to watch the fourth one.

IV. Reflections
Reflections is a collection of two imaginary urban spaces where beauty of Reflections and Refractions is portrayed. It depicts passion in Reflections and Refractions in its most natural occurrence, during Rain creating mirror like puddles. Also in raindrops, windows and wet environment. It also depicts passion in contrast between Older urban space and New urban space. Passion in Vintage cars.

Project has been rendered in Corona rendering engine. Modeling was done in 3Ds Max. Models and textures custom created except the car model. For the raindrops I heavly adjusted texture by Cornelius Dämmrich from his 52Hz project. Asphalt is made of many stitched textures together with custom painted high depth displacement map – download on Behance. Raindrops are placed on the car and windows by using dupicate offset car model refraction layer.

Inspiration credits: Jose Villa, Gardens by the Bay.

Every image below is as whole crafted using Digital art. It is Imaginary, not Real. Computer Generated Images.

Classic Office

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A classic office we designed for a customer in Nablus, Palestine.

First of all we started with taking the site’s dimensions and then we drew them using Auto Cad. Secondly, we started the process of collecting references and sketching our own ideas for the design. We tried so hard to meet the customer’s desires, which was an old-looking office. a Classic one to be more specific.

the height of the ceiling didn’t actually help since it was 2.30 cm. so we thought about using vertical lines and shapes to make the space look higher, and personally i believe we succeeded in that.

When we finished the design and prepared the work drawings, we moved to the lighting process. and then we started texturing the scene and trying to simulate it as real as possible.

you can find more high resolution images for the project on my Behance
https://www.behance.net/gallery/52294731/Office-in-Nablus