Urban Blue Zone

There was a big tender In Utrecht (The Netherlands) for a big area between 2 rail tracks. It had to be filled with a lot of housing and some retail. Mecanoo asked us to make the visuals of their design. The visuals needed to have this summerish feeling. The concept of Mecanoo referred to the so-called Blue Zones. Areas where people will live longer and healthier. Something that should be reflected in the visuals.

Chasing stones

..the project was an exercise and experiment with 3d scanning surfaces and objects and also playing and comparing some of my old medium format B&W scans’ dynamic range trying to match the grayscale dynamic range…Having revisited some of Tarkovsky and Kubrik’s favourite moments in their work in Solaris and Space Odyssey was eager to use the trill see where it goes..

Maximalism

Hello Everyone, this is my latest work ( Maximalism)
Architectural Design by (Sarkawt haider)
Visualization by Architect Sarkawt Haider
Software:Zbrush,Substance Painter,Marvelous Designer ,SpeedTree ,Megascans ,World Machine,Lightroom,3D max,photoshop,Wacom Intuos,corona..
i really appreciate if you share this project <3 …
for more image visit my Behance..
my page:- https://www.facebook.com/sarkawt.koyee/
Behance:- https://www.behance.net/sarkawt79181d8
youtube:-https://www.youtube.com/channel/UC0HrtqCXfeIHSIxwWg-bk2A

Chopin International Music Centre

Location: Żelazowa Wola, Poland

Project year: 2018

Lead Architects: Jakub Figel, Filip Kurasz

Team: Karolina Jankowska, Jakub Tajer

Acoustics: Arau Acustica – Higini Arau, Jordi Oliver / www.arauacustica.com

Visualizations:  ©  ELEMENT / http://welcometoelement.com

Żelazowa Wola is a small village in Poland, well-known as a birthplace of a famous polish compositor and pianist – Fryderyk Chopin. The picturesque scenery of endless forest favors leisure activities and relaxation. Tourists from all over the world gather here to honor Fryderyk Chopin.

Landscape of Żelazowa Wola connotes with peaceful country site with wide fields and all-embracing nature. It inspired architects to design a building which will correspond with this unique scenery.

Architects proposed the concept of new International Music Centre, which was designed to blend into the nature. The whole Centre integrates with the park by set of composition openings and view connections with the Fryderyk Chopin’s birth house. While walking through the park the only transparency is provided through the lower part of the trees – trunks. Treetops are covering the view with its broad sizes. This dependence was an inspiration to design a half-divided façade of the building. Light plinth and solid top. The lower part was covered with glass and mirror panels to let the building sink in greenery. The wooden planks, placed on the upper part of the façade, were made by using old Japanese Shou Sugi Ban technique. This burnt up wood is durable and resistant to pests, simultaneously being highly aesthetic.

Natural material refers to historical wooden Mazovia cottage architecture taking into account architectural traditions of the region. For example, traditional gable roof is interpreted in the modern way by diagonally placed ridgepole. All solutions aimed to prove that not the building is the most important thing in this particular location, but the nature itself.

The main entrance to the building is kept in the old manor style referring to the Fryderyk Chopin’s XIX century house. Pathways and bridges near the building are designed to connect the site with existing park. It encourages visitors to walk through area and experience unification with whole park set.
The Concert Hall was designed in collaboration with Arrau Acustica. The volume has 7500m3 and can house 600 viewers and 100 musicians. The shape of the Hall was designed to provide the best acoustic conditions. Glazed wall behind the scene is emphasizing the beautiful context and allows visitors to have a direct view on the park, which becomes a constantly changing scenery.

The building is physically and functionally divided into three blocks to provide functional clarity of the plan and to diffuse one big mass into three smaller parts. This provides desired views of the park and suitable insolation.

First and main part is a Concert Hall connected with all necessary functions and welcoming area with double-floor foyer, ticket desk, cloakrooms and cafeteria with leisure space. Second block contains Chamber Hall, practice rooms for musicians and offices whereas in the third block are designed conference, education and guest rooms. Second and third block are connected with chamber foyer and restaurant space. Three blocks are linked with glazed corridor which provides the unique scenery from the back side of the building.