Now I created materials for all entities in scene. The most tricky part on this, was create realisitc corten facade.
Then I setup render settings (samples, exposure, color managmnet, …) and render the scene.

After picking up the camera angle I went ahead and started to look for some references for the mood and overall look of the image. I couldn’t resist doing an image post rain with a clear dusk sky, the way lights reflects on the wet pavement and concrete gives a interesting look to it. Also is possible to give a moody, a bit cozy, maybe a bit nostalgic feeling to it, playing with different light temperatures and tones.

I’m pleased with the camera angle, I think it has a sweet balance between the school and its surroundings. It was a bit tricky to find a different angle from the existing photos there’s no doubt these already catch the best angles of the building but of course there’s also a chance to tell a story, add features and life to the composition.

It has been proven over time that emotional connection is the most consistent factor in the success of image – making. The mysterious nature of imagery has the ability to deviously seduce its audience.

I have found success in creating an image that can last in the memory – similar to the way particular music is not easy to forget.

The process for me is usually begins with an instict to find the most compositionally compelling perspective through a black and white contrast.

Next, begins the layering of light and color to develop a particular emotion on the scene. When seeking inspiration, it is common to find rerence in music, paintings, and the walks of city life.

The next steps will be to layer reality into the art-piece, finding elements that complement the nature of the initial “under-painting”.