My latest work created for the Kitbash Cyberpunk competition titled ‘After The Flood – Hong Kong’. Heavy inspiration taken from Blade Runner, Ghost in the Shell, and many others from the “cyberpunk” genre.

This piece was inspired by the thought of future cities being flooded due to Climate Change. In this instance, Miami. How will the cities and people adapt? Will they abandon their homes or will they re-design and re-inhabit?

‘Caltrans 2094’ depicts a dystopian version of Los Angeles where America’s automobile industry is still crippling the environment.

My recent submission Capri Getaway for the Evermotion competition was a unique challenge to say the least. I was inspired by a recent trip to the Amalfi coast and wanted to push Corona Render to make a sea water shader to replicate the clear blue water of the region. Due to some limitations of Corona I also used a secondary Vray scene to help with some parts of the image. This included the setup of Phoenix FD for displacement on the water which was then transferred back to the Corona scene for the final render. I had never attempted an approach like this before but I’m glad it came together in the end because there were a few moments of doubt when I wasn’t sure how I would bypass some issues. Moving forward I’m excited to seeing how Chaosgroup can bring these two render engines together for easier collaboration in the future.

Together with the 3d Visualization team at WeWork HQ, we are proud to share a collection of some of our favorite work from the past 12 months. These images represent WeWork’s rapid global expansion with locations across the globe from Colombia, to Paris, to Australia, and everywhere in between. Our team has the opportunity to provide images which help bring awareness to these ones of a kind office spaces that are being opened on a monthly basis around the world.

Together with the 3d Visualization team at Wework HQ, we are proud to share a collection of some of our favorite work from the past 12 months. These images represent Wework’s rapid global expansion with locations across the globe from Columbia, to Paris, to Australia, and everywhere in between. Our team has the opportunity to provide images which help bring awareness to these one of a kind office spaces that are being opened on a monthly basis around the world.

The Valley of Clouds began as an exploration of Corona’s volume material and trying to achieve the feeling of flying above a foggy city. I wanted to push the boundaries of the volume shader to see if I could get a result that I hadn’t seen before. I started by building city blocks of night buildings from evermotion and then painstakingly adjusting the parameters of the fog material and surface modifiers to get a good result. Once I had the cloud material in place the rest of the scene evolved into a dreamy mountain landscape to further push the narrative of stumbling a hidden futuristic city hidden in the valley.