REGARDING THE LIGHT, I FOCUSED ON ENHANCING THE CURVES OF THE BUILDING AND ON HOW THEY ARCHITECTONICALLY RESOLVE THE CREATION OF THE CENTRAL SQUARE. THAT IS WHY I CHOSE THE LIGHT OF THE SUNRISE (WHICH IS HORIZONTAL) AND IT ENTERS FROM THE TWO STREETS WHICH ENCLOSE THE BUILDING.

AS FOR THE HISTORY OF THE IMAGE, I FOCUSED ON THE SQUARE. IT IS AN EARLY SUNDAY MORNING AND THERE IS A WOMAN WHO TAKES HER COAT OFF AND PLAYS WITH HER TWO DAUGHTERS IN THE PUDDLES CREATED BY THE CLEANING OPERATORS WHILE THE AUTOMATIC DOORS OPEN.

FINALLY, FOR THE INTERIOR, I CHOSE A SOFT LIGHT. ONLY THOSE LIGHTS WHICH ENHANCE THE CURVES OF THE BUILDING ARE STILL ON, AS IF THE BUILDING HAS JUST BEEN OPENED TO THE PUBLIC.

FURTHERMORE, I CARRIED OUT A POSTPRODUCTION STAGE FOCUSED ON KEEPING JUST FOUR MAIN COLOURS FOR THE ENTIRE SCENE IN ORDER TO ENSURE THE HARMONY OF THE COMPOSITION.